Tramway

Vanishing Point x KAAT - Confessions of a Shinagawa Monkey 品川猿の告白

Vanishing Point x KAAT  - Confessions of a Shinagawa Monkey 品川猿の告白
Tickets
£15 / £10 concession
Box office telephone
Dates and times
Saturday 22nd Feb - Saturday 1st Mar 2025
Check venue opening times

A Vanishing Point and Kanagawa Arts Theatre co-production, in association with Tramway

Performances 7pm on 22 Feb, 26 Feb, 27 Feb, 28 Feb and 1 Mar 2025
PLUS matinee performance on Saturday 1 Mar, 2pm 

A major new international theatre work based on short stories by the acclaimed author Haruki Murakami, featuring performers from Scotland and Japan, human and puppet monkeys, lurking shadows, stunning sound and Vanishing Point’s distinctive visual language. The show will draw audiences into the inimitable, dream-like domain of one of the world’s best-loved authors.

Co-created by Matthew Lenton (Vanishing Point) and Sandy Grierson, and performed in English and Japanese, with full dialogue captioning built into the stage design. 

“We are diving into Haruki Murakami’s beautiful and mysterious world. We chose these stories because, apart from their inimitable brilliance, they are open to interpretation and a springboard for artistic inspiration and expression. They are fantastical stories, yet with deep connections to pressing social issues and fundamental human experiences. On one level, Confessions of a Shinagawa Monkey is a detective story, a thrilling ‘whodunnit’ set amongst the mysterious mountains of Japan and subterranean tunnels of Tokyo. On another, it is a sensitive exploration of human compulsion, redemption, and the search for one’s true self.” (Matthew Lenton)

CAST: Rin Nasu, Sandy Grierson, Satoru Date, Elicia Daly, Yuya Tanaka, Sam Stopford, Junko Kano, Aisha Goodman and puppeteer Ailie Cohen. 

Running time - 1hr 40mins, no interval

Contains adult themes (Age guidance 12+)

ACCESS 
British Sign Language Interpreted on Friday 28 February (Karen Forbes and Rebecca Goodall)

All performances will have full dialogue captioning in English and Japanese built into the stage design

Watch a BSL introduction to the show on the Vanishing Point website

Childcare
Vanishing Point are delighted to be able to offer childcare to coincide with the matinee performance of Confessions of a Shinagawa Monkey on Saturday 1 March. This will be delivered by Tinies (Glasgow) in The Boilerhouse within the Hidden Gardens between 1 to 4pm. The cost will be £10 per child or £15 for two children.  For more information and to reserve a place, please contact Eleanor Scott (Producer - Vanishing Point) on el@vanishing-point.org by Friday 14 February. Places are limited and will be offered on a first-come, first-served basis. 

CREDITS
A Vanishing Point and Kanagawa Arts Theatre co-production, in association with Tramway. Presented in partnership with Dundee Rep and The Japan Foundation and supported by British Council (Connections through Culture), Daiwa Anglo-Japanese Foundation and The Great Britain Sasakawa Foundation. Vanishing Point are funded by Creative Scotland. 



Photos by Shinji Hosono 
Illustration by Chitose Kato

Booking Information

Tickets subject to transaction fees: £1.50 online, £1.75 by phone

Dispatch Charges

E-tickets - Free of charge
Fulfilment Fee - £1.95

Transaction Charges apply as follows

Online up to £1.50
Phone up to £1.75
Counter/ In Person: Free

Tickets Booking Line:
0141 353 8000.
Lines open Monday-Saturday 09:00-17:00 (excluding Bank Holidays). Please check opening hours over any Bank Holiday period.

To view the full Ticket Purchase Policy please click here

Restoration fund

From 1 September 2024, for any new events going on sale at our Concert Halls venues (Glasgow Royal Concert Hall, City Halls and Old Fruitmarket and Kelvingrove Bandstand), a new Restoration Fund of £1.50 per ticket may be added at checkout. To view the full Restoration Fund T&Cs please click here

 

Accessibility guides

Read the Accessibility Guide for Tramway on AccessAble 

Large Print and Braille programme material available upon request. 

Some performances may also be BSL interpreted, audio described or have further assistance available. Access information for individual events is included in their event listing. 

 

Accessible toilets

Accessible toilets are available on all three levels of Tramway, and come equipped with handrails and emergency pull cords. Please contact Tramway prior to your visit if you have any additional requirements

Assistance dogs

Assistance dogs are welcome. We can provide a bowl of water for an assistance dog. The assistance dog toilet area is located to the rear of the building.

Assistance dogs are allowed in the auditorium.

Wheelchair access

There is level access to all Tramway spaces and the cafe, with lift access to the upper spaces.

There are designated spaces for wheelchair users in the theatre. 

 

Baby changing

Baby changing facilities are available on the ground floor

Baby feeding

Breastfeeding is welcome at Tramway

Cafe or restaurant

Full table service is not available. Food or drinks can be ordered at the counter and will be brought to the table.

No tables are permanently fixed. No chairs are permanently fixed.

Menus are hand held only, but are clearly presented in contrasting colours. Menus are not available in Braille. 

Parking

On street only

Photography and video recording

At times, Glasgow Life will be on the premises to film and take photos. 

The public are only permitted to record and take photos where explicit permission has been granted in advance. 

Free wifi

There is free Wi-Fi available at Tramway, which you can access by registering through Facebook or an online form. Once registered, you can access free Wi-Fi whenever you are at Tramway.

Location Map

Tramway is a post-industrial venue with a range of unique and versatile spaces, popular with private and corporate clients looking for a venue ‘with a difference’. Tramway is an ideal space for performances, exhibitions, private viewings, seminars, meetings and smaller scale functions.

Visit Tramway's venue hire web page to find out more. 


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